AES 26:2001 (R2011)

AES 26:2001 (R2011) Aes Recommended Practice For Professional Audio - Conservation Of The Polarity Of Audio Signals Standardizes the polarity of the signals at the various interface points between different items of equipment, in particular from the acoustical, electrical, mechanical, digital, and magnetic aspects.

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Table of Contents

Foreword
Forewordtooriginaledition
Forewordtosecondedition
1Scope
2Normativereferences
3Definitions
4Generalrequirements
4.1Normalpolarity
4.2Polarityinversion
5Contactsinconnectorsforanalogsignals
5.1XLRconnectorsandminiatureXLRconnectors
5.2Concentricconnectors
5.3Connectorsforloudspeakersandoutputsofpoweramplifiers
6Magneticanalogaudiotape
6.1Recordedsignal
6.2Recordingandreproducingequipment
7Audiotracksonmagneticvideotapes
7.1Longitudinalaudiotracks
7.2Frequency-modulated(FM)audiotracks
8Soundtracksonfilm
8.1Opticalsoundtracksonreleasefilmprints
8.2Magnetictracks
9Digitalsystems
9.1Interconnections
9.2Linearlyrepresenteddigitalaudiodata
9.3Incrementalmodulationsystems
10Electroacousticaltransducers
10.1Loudspeakers
10.2Microphones
10.3Headphones
11Mechanicaldiskrecords
11.1Monophonicrecords
11.2Stereophonicrecords
AnnexA-Informativereferences

Abstract

Standardizes the polarity of the signals at the various interface points between different items of equipment, in particular from the acoustical, electrical, mechanical, digital, and magnetic aspects.

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